Collector Interviews

If you've commissioned from me before, I'd love to interview you about your art collection, how your Hard Edge glass art relates to your collection and the experience of living with it.
Why not tell me your story?

Mono Lisa began with a question: could an artist known for brilliant colour create something entirely in black, white and grey, without losing the light and energy of her

“That is so you”: The black and white world behind Mono Lisa

Lisa Proctor had created an entirely black and white world. Then she discovered Linda’s brilliantly colourful Hard Edge glass art and wondered whether it could ever belong there. What followed was a very unusual commission, followed by thousands online, and an artwork neither of them could have imagined at the beginning.

When one artist trusted another

When one artist trusted another

Miami artist Matthew Green wondered if one of his ink paintings could become glass. What began as a casual question became an unexpected collaboration between two artists working in completely different mediums. This is the story of trust, creativity and how changing light transformed an idea into something neither artist could have imagined alone.

'Gardening' fused glass art wall panel in production

Some memories deserve more: Why one collector chose glass

Aleta Doran has spent a lifetime looking closely at glass. She’s a mosaic artist, stained glass researcher at the University of Chester, former Artist in Residence at Chester Cathedral, and a serious collector of glass art. She wasn’t looking for more glass. She was looking for art she hadn’t seen before. This is the exclusive story of why she commissioned two large glass works from Linda Rossiter and what she did with them.

Close-up detail of Alluring Montage, a contemporary Hard Edge glass artwork showing geometric facial forms and coloured light through layered glass.

After 30 years of collecting glass, Ray Chimienti found something new

After thirty years of collecting glass, Ray Chimienti thought he had seen most of what the medium could do. Then he came across something he hadn’t seen before, not in a gallery, but on Facebook. This is the story of a serious collector, a new piece of glass art, and what happened when he decided to commission a work of his own.

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